Max Reger

Max Reger (born Johann Baptist Joseph Maximilian Reger, March 19, 1873 – May 11, 1916) was a German composer, pianist, organist, conductor, and teacher. He is considered one of the most important composers of the late Romantic era, known for his complex and dense contrapuntal textures, demanding virtuosity, and adherence to traditional forms.

Reger's compositional style is characterized by his use of chromatic harmony, extensive modulation, and intricate counterpoint, often likened to that of Johann Sebastian Bach. He drew inspiration from Bach, as well as from Johannes Brahms and Anton Bruckner, developing a highly individual and challenging musical language.

His prolific output includes works for orchestra, chamber ensembles, organ, piano, voice, and choir. Notable compositions include the Variations and Fugue on a Theme by Mozart, the Variations and Fugue on a Theme by Hiller, the Brandenburg Concertos (orchestral arrangements of Bach's originals), numerous organ works (including chorale preludes and sonatas), string quartets, and Lieder.

Despite facing criticism during his lifetime for the perceived density and difficulty of his music, Reger's works have gained increasing recognition and appreciation in the 20th and 21st centuries. He held prominent teaching positions at the Leipzig Conservatory and the Royal Conservatory of Music in Munich, influencing generations of composers and musicians. His legacy rests on his significant contribution to the development of late Romantic music and his profound impact on the art of organ playing and composition. He died at the age of 43 due to heart failure.