Yasujirō

Yasujirō Ozu (小津 安二郎, Ozu Yasujirō, December 12, 1903 – December 12, 1963) was a Japanese film director and screenwriter. He is celebrated as one of the most influential filmmakers in the history of cinema, known for his distinctive style that emphasizes stillness, low camera angles (often referred to as "tatami shots"), and slow pacing.

Ozu's films often depict the intricacies of Japanese family life, particularly the relationships between parents and children, and the changing social landscape of post-war Japan. Common themes explored in his work include marriage, aging, and the erosion of traditional values in the face of modernization.

His films are characterized by a minimalist aesthetic, eschewing dramatic camera movements and relying instead on carefully composed shots and subtle performances. Dialogue is often spare and understated, focusing on the unspoken emotions and tensions that simmer beneath the surface of everyday interactions.

Ozu's most famous works include Late Spring (1949), Tokyo Story (1953), Floating Weeds (1959), and An Autumn Afternoon (1962). While relatively unknown outside of Japan for many years, his films have gained increasing international recognition and critical acclaim, solidifying his place as a master of cinematic art.

Despite using largely the same production crew and cast of actors throughout his career, Ozu was meticulous in his craft, carefully planning each shot and demanding precise performances. This unwavering dedication to his unique vision resulted in a body of work that is both deeply personal and universally resonant. His influence can be seen in the work of numerous contemporary filmmakers who admire his distinctive style and profound exploration of the human condition.