La Plume

La Plume was a French literary and artistic review, founded in Paris in 1889 by Léon Deschamps and Karl Boès. It served as a vital platform for Symbolist and Art Nouveau artists and writers during the fin de siècle period.

History and Scope:

La Plume initially aimed to showcase emerging literary talents, particularly those associated with Symbolism. Over time, its scope expanded to include visual arts, featuring illustrations, lithographs, and other works in the Art Nouveau style. The review became known for its avant-garde perspective and its support for artists who challenged conventional norms. La Plume played a significant role in promoting artists like Henri de Toulouse-Lautrec, Alphonse Mucha, and Pierre Bonnard, as well as writers like Stéphane Mallarmé, Paul Verlaine, and Jean Moréas.

Content and Format:

Each issue of La Plume typically included a selection of poems, short stories, essays, and art reproductions. The review's distinctive typography and layout, often incorporating ornate lettering and decorative borders, reflected the aesthetic sensibilities of the Art Nouveau movement. The publication also organized exhibitions and lectures, further solidifying its position as a central hub for artistic and literary activity.

Legacy:

La Plume ceased publication in 1914, but its impact on the development of Symbolism and Art Nouveau remained significant. The review helped to cultivate a vibrant artistic community in Paris and provided a platform for groundbreaking works that continue to be celebrated today. Its archives offer valuable insights into the cultural and intellectual landscape of the late 19th and early 20th centuries.