The Last Judgement (Vasari and Zuccari)

The Last Judgement (Vasari and Zuccari) refers to the fresco painted on the interior of the cupola of the Florence Cathedral, also known as the Duomo, in Florence, Italy. Begun by Giorgio Vasari in 1572, the massive undertaking was left unfinished at his death in 1574. Federico Zuccari was subsequently commissioned to complete the work, which he did between 1576 and 1579.

Vasari's initial vision for the cupola fresco encompassed a complex theological program representing the Last Judgement, drawing heavily on Dante Alighieri’s Divine Comedy for inspiration. He planned and began executing the various sections, including depictions of Hell, Purgatory, Paradise, and the various figures associated with these realms, such as angels, demons, and saints.

Zuccari, while largely adhering to Vasari’s overall plan, made significant stylistic changes. His approach differed from Vasari’s more Mannerist style, leaning towards a more Roman and classically inspired aesthetic, influenced by artists such as Michelangelo. This shift in style is noticeable when comparing the sections completed by each artist. Some critics have noted inconsistencies and a perceived lack of unity in the final composition due to the stylistic differences.

The fresco's vast scale and prominent location within the Duomo make it a significant work of art, despite differing opinions on its overall aesthetic success. The Last Judgement (Vasari and Zuccari) stands as a testament to the artistic trends of the late Renaissance and early Baroque periods in Florence and provides a visual interpretation of core Christian beliefs about the afterlife. It continues to be a major attraction for visitors to the Florence Cathedral.