I mostri

"I mostri" (literally "The Monsters") is an Italian term, often used informally, that generally refers to monstrous, deformed, or generally unpleasant people or things. However, within Italian culture, the term also carries a specific connotative meaning related to a type of character, often satirical or exaggerated, that embodies negative aspects of Italian society.

In a broader sense, "mostri" can refer to individuals who commit heinous acts, individuals perceived as morally bankrupt, or even situations that are considered grotesque or abnormal. Its usage is frequently intended to evoke disgust, fear, or moral outrage.

The term is most famously associated with the 1963 Italian anthology film I mostri, directed by Dino Risi. This film, and its successors, depicted a series of vignettes showcasing different facets of Italian society and human behavior, often portraying characters who are selfish, corrupt, hypocritical, or otherwise deeply flawed. The film's title captured the idea that these flawed individuals, and by extension the societal ills they represented, are the true "monsters" hidden within everyday life.

Therefore, "I mostri" is not just a description of physically grotesque beings, but a commentary on the moral and social shortcomings of humanity, particularly as reflected in an Italian context. It can be used to denote individuals who are considered morally repugnant, or to criticize aspects of society that are perceived as perverse or corrupt.