Harry Pearson (audio critic)

Harry Pearson (HP) (1937 - 2014) was an influential American audio critic and the founder and editor of The Absolute Sound (TAS), a high-end audio magazine known for its subjective reviewing methodology.

Pearson championed the idea that audio equipment should be evaluated based on how closely it recreates the sound of live music, a concept he termed "absolute sound." He developed a comprehensive reviewing system that emphasized detailed descriptions of sonic characteristics, using evocative, often metaphorical language to convey the nuances of sound reproduction. This approach, in contrast to purely objective measurements, became a hallmark of The Absolute Sound and influenced the broader high-end audio press.

Pearson's writing style was distinctive and often controversial. He was known for his passionate opinions, strong biases, and willingness to challenge conventional wisdom in the audio industry. His reviews were highly influential, capable of making or breaking the reputations of audio manufacturers and products.

The Absolute Sound, under Pearson's leadership, played a significant role in shaping the high-end audio market, popularizing esoteric components and promoting the idea that audio reproduction could be a truly immersive and emotional experience. While his subjective methodology was sometimes criticized for its lack of scientific rigor, Pearson's impact on the field of audio criticism is undeniable. He is credited with raising the bar for audio quality and inspiring a generation of audiophiles to pursue the most realistic and engaging listening experience possible.