English folk music (1990–1999)

The period of 1990 to 1999 in English folk music saw both a continuation of established traditions and the exploration of new sounds and approaches. This decade lacked a single, unifying movement, but was characterized by a healthy diversity of styles and practitioners.

Traditional folk music remained a vital force, with established artists continuing to perform and record. Many focused on preserving and performing traditional songs and tunes, often adhering closely to historical performance practices. Ceilidh bands continued to be popular, providing social dance music at festivals and gatherings.

Alongside the traditionalists, a number of artists pushed the boundaries of the genre. Some incorporated influences from other musical styles, such as rock, pop, and world music, creating a fusion sound. Electric instruments were increasingly used, sometimes alongside traditional acoustic instruments. This experimental approach led to the development of what was often referred to as "folk rock" or "contemporary folk."

The rise of independent record labels provided a platform for many folk artists who might not have found a home with larger commercial labels. This helped to foster a more diverse and independent scene. Folk festivals continued to play a crucial role in showcasing both established and emerging talent, providing a vital network for musicians and fans.

Key themes explored in English folk music during this period included social commentary, historical narratives, and personal reflections on life and relationships. A renewed interest in local history and folklore often found expression in song.

The decade saw a gradual shift in the perception of folk music, moving away from associations with purely historical preservation towards a more dynamic and contemporary art form. While not always commercially mainstream, English folk music in the 1990s maintained a dedicated following and continued to evolve and adapt to the changing musical landscape.