Ace in the Hole (short story)
"Ace in the Hole" (also published as "The Big Carnival") is a short story by American author Billy Wilder, first published in 1951 and later adapted into the film of the same name. The story centers around Charles Tatum, a cynical and ambitious journalist, who stumbles upon a man trapped in a collapsed ancient Native American dwelling.
Synopsis:
Tatum, a disgraced reporter exiled to a small New Mexico newspaper, sees the trapped man, Leo Minosa, as his ticket back to the big time. Instead of focusing on a swift and safe rescue, Tatum manipulates the situation to create a media circus, prolonging the rescue operation for maximum publicity and self-gain. He exploits Leo's plight, turning the remote location into a booming tourist attraction. The longer the rescue takes, the more attention Tatum receives, but the more Leo's chances of survival diminish. The story explores themes of journalistic ethics, exploitation, and the dark side of ambition. Ultimately, Tatum's manipulations lead to tragic consequences, costing Leo his life and destroying Tatum's career.
Themes:
- Journalistic Ethics: The story is a scathing critique of sensationalism and the exploitation of human suffering for personal gain in the media.
- Ambition and Corruption: Tatum's relentless ambition drives him to make increasingly unethical decisions, demonstrating the corrupting influence of power and fame.
- Exploitation: The story highlights the exploitation of vulnerable individuals and communities for profit and entertainment.
- The Power of the Media: "Ace in the Hole" explores the immense power of the media to shape public opinion and manipulate events.
- Cynicism and Disillusionment: Tatum's cynical worldview reflects a broader societal disillusionment with institutions and authority figures.
Adaptations:
The story served as the basis for the 1951 film Ace in the Hole, directed by Billy Wilder and starring Kirk Douglas as Charles Tatum. The film is a faithful adaptation of the short story and is considered a classic of film noir.