Rasganço

Rasganço is a term referring to a radical architectural movement that emerged in Brazil, specifically in São Paulo, during the late 1960s and early 1970s. The term, meaning "tear" or "rip" in Portuguese, reflects the movement's intention to break away from the prevailing Brazilian modernist architecture of the time.

Rasganço architecture was characterized by its brutalist aesthetics, use of exposed concrete, and emphasis on functionality over ornamentation. It sought to create a more honest and raw expression of the built environment, rejecting the perceived superficiality of earlier styles. While heavily influenced by European Brutalism, Rasganço also drew inspiration from the social and political climate in Brazil, reflecting a sense of rebellion and questioning of established norms.

Key characteristics of Rasganço architecture include:

• Exposed Concrete: A dominant material, often left unfinished to reveal its texture and imperfections.
• Monumental Scale: Buildings often possessed a large and imposing presence.
• Functionalism: Prioritizing the intended use of the space over aesthetic considerations.
• Rejection of Ornamentation: Minimal or no decorative elements were incorporated.
• Expressive Form: Architects aimed to create buildings that visually communicated their purpose and structure.

Rasganço can be seen as a critical reaction against the perceived stagnation and increasing commercialization of Brazilian modernism. It sought to revitalize architectural discourse and propose new approaches to design that were more responsive to the social and economic realities of the country. The movement, though relatively short-lived, left a lasting impact on Brazilian architecture and continues to be a subject of study and debate. Some architects associated with, or influenced by, Rasganço include Paulo Mendes da Rocha and Vilanova Artigas.