Mazurkas, Op. 67 (Chopin)

The Mazurkas, Op. 67 are a set of four mazurkas for solo piano composed by Frédéric Chopin. They were published posthumously in 1855, six years after Chopin's death in 1849. Due to their posthumous publication, there is some debate among scholars regarding the ordering and Chopin's final intentions for these pieces. The opus number was assigned by Julian Fontana, Chopin's friend and literary executor, who prepared them for publication along with other previously unpublished works.

The set comprises:

• Mazurka No. 1 in G major, Op. 67, No. 1 (Vivace ma non troppo) - A lively and graceful piece with a characteristic mazurka rhythm.
• Mazurka No. 2 in G minor, Op. 67, No. 2 (Lento) - A more melancholic and introspective piece, contrasting with the first.
• Mazurka No. 3 in C major, Op. 67, No. 3 (Allegretto) - A brighter and more optimistic mazurka, although with moments of reflection.
• Mazurka No. 4 in A minor, Op. 67, No. 4 (Moderato, ma animato) - A somber and passionate piece, often considered the most significant of the set.

Like all of Chopin's mazurkas, these pieces draw heavily from Polish folk music, specifically the mazur, kujawiak, and oberek. They showcase Chopin's ability to transform folk idioms into sophisticated and expressive art music. While less technically demanding than some of his other works, the Mazurkas, Op. 67 are valued for their melodic beauty, harmonic subtlety, and emotional depth, providing insight into Chopin's musical language and his deep connection to his Polish heritage. The Op. 67 mazurkas are a standard part of the piano repertoire and are frequently performed and recorded.