Macario (film)

Macario is a 1960 Mexican fantasy horror film directed by Roberto Gavaldón, starring Ignacio López Tarso in the title role. It is based on the novella of the same name by B. Traven, an enigmatic and reclusive author.

The film tells the story of Macario, a poor woodcutter on the Day of the Dead (Día de Muertos) who longs for just one decent meal. Overwhelmed by his family's poverty, he vows not to eat until he can eat a whole turkey by himself. When his wife manages to procure a turkey, he escapes into the forest to enjoy his long-awaited meal alone.

In the forest, he is visited by three figures: God, the Devil, and Death. God and the Devil each ask him to share the turkey, but he refuses them both, fearing that they are powerful and will always have plenty to eat. Finally, Death appears, hungry and tired. Macario, feeling pity for Death, shares his turkey.

In exchange for his kindness, Death grants Macario a magical water with the ability to heal any illness. Macario becomes a famous and wealthy healer, but his newfound power attracts the attention of the Church and the Inquisition. The Church accuses him of witchcraft and heresy, and his destiny becomes intertwined with Death.

The film explores themes of poverty, hunger, death, spirituality, and the corrupting influence of power. It is notable for its stunning black-and-white cinematography by Gabriel Figueroa and its powerful performances, particularly by López Tarso. "Macario" is considered a classic of Mexican cinema and a significant work in the fantasy horror genre. It was the first Mexican film to be nominated for an Academy Award for Best Foreign Language Film.