Assumption of the Virgin (Moretto)

The Assumption of the Virgin (Moretto) refers to at least one, and possibly multiple, paintings by the Italian Renaissance painter Alessandro Bonvicino, more commonly known as Moretto da Brescia (or simply Moretto). The subject matter is the Assumption of Mary, a belief held by the Catholic Church that the Virgin Mary was taken bodily into Heaven at the end of her earthly life. The specific Assumption of the Virgin (Moretto) that receives the most attention is the altarpiece located in the church of San Clemente in Brescia, Italy. This work, generally considered a masterpiece, depicts the Virgin Mary being carried upwards by angels, while the apostles stand below in various states of awe and contemplation. Other versions or related depictions of the Assumption attributed to Moretto might exist, or be incorporated into polyptychs, potentially causing confusion when referencing a specific painting with this title. Therefore, the context in which the term is used should be considered to discern the specific artwork being discussed. The San Clemente altarpiece is notable for its use of color, composition, and the expressive rendering of the figures involved.