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The Middle Management (Josei Chūkan Kanrishoku) / Gamusha Life / Tsugi no Kado o Magare

The Middle Management (Josei Chūkan Kanrishoku) / Gamusha Life / Tsugi no Kado o Magare is a Japanese manga series written and illustrated by Hirokane Kenshi. It is also known by its alternate titles, Gamusha Life and Tsugi no Kado o Magare (lit. "Turn at the Next Corner").

The series primarily focuses on the lives and struggles of middle managers in Japanese corporations, particularly highlighting the pressures and complexities they face navigating hierarchical structures, employee relations, and the demands of upper management. Josei Chūkan Kanrishoku directly translates to "Female Middle Management," indicating a specific (though not exclusive) focus on the experiences of women in these roles.

Gamusha Life, which could be interpreted as "reckless" or "gung-ho" life, perhaps alludes to the often-exaggerated dedication and work ethic expected of Japanese salarymen and women, especially in middle management positions.

Tsugi no Kado o Magare ("Turn at the Next Corner") might be a metaphorical reference to the constant need for middle managers to adapt to changing circumstances, navigate challenges, and find new solutions in their roles. It suggests a journey or path with unforeseen turns and obstacles.

While specific plot details vary across different manga series and adaptations, the general themes explored often include:

  • Work-Life Balance: The difficulties of balancing professional responsibilities with personal life.
  • Corporate Culture: Critiques and observations of Japanese corporate culture, including its emphasis on seniority, long working hours, and conformity.
  • Stress and Pressure: The psychological toll of middle management on individuals.
  • Interpersonal Relationships: The complexities of relationships between managers, their subordinates, and their superiors.
  • Gender Dynamics: Examination of gender roles and expectations within the workplace, particularly for women in management.

The series, depending on the specific work in question, may adopt a comedic, dramatic, or satirical tone to explore these themes. Its appeal lies in its relatability to those working in similar environments and its offering of insights into the inner workings of Japanese companies.