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Symphony No. 4 (Vaughan Williams)

Symphony No. 4 in F minor is a symphony composed by Ralph Vaughan Williams between 1931 and 1934. It is a stark departure from his earlier, more pastoral works and is known for its aggressive, dissonant, and often violent character. The symphony reflects the anxieties and uncertainties of the interwar period, capturing a sense of impending doom and societal unease.

The work is structured in four movements:

  1. Allegro: This movement is characterized by its dissonant harmonies, jagged rhythms, and relentless energy. It features a distinctive motto theme that reappears throughout the symphony. The movement is in sonata form, but the thematic material is often fragmented and distorted.

  2. Andante moderato: This movement offers a brief respite from the intensity of the first movement. However, it is still pervaded by a sense of melancholy and unease. The movement features a lyrical melody played by the strings, but it is constantly interrupted by dissonant chords and unsettling harmonies.

  3. Scherzo. Allegro molto: This scherzo is a frenetic and grotesque dance. It is characterized by its biting sarcasm and sardonic humor. The movement features a distorted version of the motto theme from the first movement.

  4. Finale con Epilogo fugato. Allegro molto: This movement is the culmination of the symphony's dark and violent energy. It opens with a dissonant chord that sets the tone for the rest of the movement. The movement includes a fugato based on the motto theme, but it is ultimately consumed by chaos and destruction. The symphony ends on a stark and unresolved dissonance, leaving the listener with a sense of profound unease.

The Symphony No. 4 was first performed on 10 April 1935 by the BBC Symphony Orchestra, conducted by Adrian Boult. While initially controversial, the work is now recognized as one of Vaughan Williams' most powerful and important compositions and a significant contribution to 20th-century symphonic literature. Its uncompromising emotional landscape and innovative use of dissonance continue to resonate with audiences today.