1745 in art

The year 1745 was a significant year in the development of art across various European centers, marking a continuation of Rococo trends and hinting at the rise of Neoclassicism in some areas.

France: In France, the Rococo style continued to dominate, characterized by its elegance, ornamentation, and playful themes. Artists like François Boucher, a leading figure of the Rococo movement, were highly active, producing paintings that emphasized sensual beauty and mythological scenes. The Royal Academy of Painting and Sculpture played a crucial role in shaping artistic taste and providing training for aspiring artists. The influence of Madame de Pompadour, mistress of King Louis XV, was significant in shaping the artistic landscape, as she patronized many artists and promoted the Rococo aesthetic.

Great Britain: In Great Britain, the art world was shaped by the rise of portraiture and genre painting. William Hogarth, known for his satirical and moralizing paintings, continued to produce works that commented on social issues and human foibles. Portrait painters like Allan Ramsay and Thomas Hudson were gaining prominence, capturing the likenesses of the British aristocracy and gentry. The establishment of the Foundling Hospital provided opportunities for artists to showcase their work and contribute to charitable causes.

Italy: Italy, while still holding onto its rich artistic heritage, saw a shift in some areas towards a more classical aesthetic. The discoveries at Pompeii and Herculaneum, which had begun several decades earlier, were beginning to influence artistic thinking, sparking interest in classical antiquity. Venice remained a vibrant center for painting, with artists like Canaletto continuing to produce vedute (city views) for the Grand Tourists.

Other European Centers: In other parts of Europe, artistic trends varied depending on local traditions and influences. The Baroque style lingered in some regions, while the seeds of Neoclassicism were starting to sprout in others. Royal courts and aristocratic patrons continued to play a vital role in commissioning artworks and supporting artists. The proliferation of art academies helped to standardize artistic training and promote certain styles.