Zveno (art)

Zveno (звено, meaning "link" or "unit" in Russian) was a short-lived but influential artistic group and movement within the Russian avant-garde, primarily active in Ukraine during the late 1920s and early 1930s. It was founded by Ukrainian artist Viktor Palmov in Kyiv.

The core philosophy of Zveno revolved around the concept of "color-dynamism," exploring the expressive potential of color and its ability to convey energy, emotion, and movement. Palmov, deeply influenced by the theories of Mikhail Matiushin and his exploration of extended sensation, advocated for a synesthetic approach to art, where colors were understood to evoke specific sensations and experiences beyond their purely visual aspects.

Zveno artists sought to break free from traditional representational forms, focusing instead on abstract compositions characterized by bold, vibrant colors and dynamic arrangements. They aimed to create art that was not simply decorative or illustrative but actively engaged the viewer's senses and emotions.

While the group's existence was relatively brief, Zveno played a significant role in the development of Ukrainian avant-garde art, contributing to the broader exploration of abstraction and color theory within the Soviet context. Its influence can be seen in the work of subsequent generations of Ukrainian artists. The repressive political climate of the Stalinist era ultimately led to the group's dissolution, as abstract art was increasingly criticized for its perceived lack of social relevance.