Polly of the Circus (1917 film)

Polly of the Circus is a 1917 American silent drama film directed by Edwin L. Hollywood and starring Mae Marsh. Based on the 1907 Broadway play of the same name by Margaret Mayo, the film tells the story of Polly, a circus performer who finds herself in a small, conservative religious community after an accident.

The plot revolves around the cultural clash between Polly's unconventional life in the circus and the strict moral code of the village. Reverend John Hartley, a young and idealistic minister, becomes fascinated by Polly's free spirit and kindness. He finds himself questioning his own rigid beliefs as he witnesses the genuine goodness in her heart. The film explores themes of prejudice, acceptance, and the hypocrisy that can sometimes exist within religious communities.

Polly faces judgment and ostracism from many villagers who disapprove of her background and lifestyle. She attempts to adapt to their ways, but struggles to conform to their expectations. Meanwhile, Reverend Hartley's growing affection for Polly creates tension and disapproval within his congregation.

The climax of the film typically involves a dramatic event that allows Polly to prove her worth and demonstrate her inherent goodness, leading to greater acceptance from the community and a deepening bond with Reverend Hartley. The film's ending often suggests a reconciliation between Polly's world and the village's, highlighting the importance of understanding and empathy.

The 1917 Polly of the Circus is notable for its use of sentimentality and melodrama to convey its message. Mae Marsh's performance as Polly was particularly praised for its emotional depth and authenticity. While it is a silent film, intertitles are used to convey dialogue and narration, furthering the narrative's emotional impact. The film remains a notable example of early 20th-century American cinema and demonstrates the social and cultural concerns of the time.