Psalm (Paul Motian album)

Psalm is a 1987 jazz album by drummer Paul Motian. It features a quartet comprising Motian on drums, Bill Frisell on guitar, Joe Lovano on tenor saxophone, and Charlie Haden on bass. The album is notable for its spacious and atmospheric sound, characteristic of Motian's later work. It is often cited as a significant example of his evolving style, moving away from more explicitly bebop-influenced approaches towards a more introspective and textural aesthetic. The compositions are largely improvisational in nature, built upon a foundation of carefully chosen harmonic and rhythmic structures. The album's title, "Psalm," suggests a contemplative and spiritual quality to the music, reflecting the meditative and often understated nature of the performances. While the album is not explicitly programmatic, the overall mood is one of quiet intensity and reflective beauty. The interplay between the musicians is subtle yet profound, showcasing their individual talents while maintaining a cohesive and unified ensemble sound. Critics have praised the album for its beauty, originality, and the musicians' masterful execution. It remains a highly regarded work within Motian's discography and a significant contribution to the post-bop jazz canon.