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Madonna and Child (Bellini, Milan, 1460–1465)

This title refers to a specific painting, likely a panel painting, of the Madonna and Child attributed to the workshop of the Venetian artist Giovanni Bellini, and believed to have been produced during his early period while he was influenced by the artistic trends circulating in Milan between 1460 and 1465.

The work would typically depict the Virgin Mary (Madonna) and the infant Jesus Christ (Child). The style would likely reflect the influence of Andrea Mantegna, Bellini's brother-in-law, and the Lombard school prevalent in Milan at the time. Key characteristics may include a more austere and linear approach compared to Bellini's later, softer Venetian style, possibly featuring harder edges, less idealized figures, and a more restrained palette. The specific details regarding composition, background, size, medium (likely tempera or oil on panel), and current location/ownership would be essential for a more complete description. The presence of such a work within Bellini's attributed catalog is contingent upon art historical research and attribution.

Attribution to Bellini himself versus his workshop would hinge on expert analysis of the painting's quality, technical execution, and stylistic consistency with other works definitively attributed to the master. The Milanese influence suggests a period of artistic experimentation or interaction with artists working in that region. Further research and analysis, including provenance records and comparative studies, would be required to establish a more comprehensive understanding of the painting's history and significance.