The Transposed Heads (opera)

The Transposed Heads is an opera in one act by Peggy Glanville-Hicks, composed in 1953. The libretto, written by the composer, is based on the novella of the same name by Thomas Mann, which in turn draws inspiration from an ancient Indian tale.

The opera explores themes of identity, love, desire, and the conflict between intellect and emotion. Set in India, the story revolves around two friends, Shridaman, a learned Brahman, and Nanda, a strong and virile ironworker, who are both deeply devoted to Sita. In a moment of religious fervor, Shridaman decapitates himself, followed by Nanda. Sita, distraught, prays to the goddess Kali, who grants her the power to reattach their heads. However, in her haste and grief, she accidentally transposes the heads onto the wrong bodies.

This transposition leads to significant conflict and confusion as the characters grapple with their new identities. Sita is torn between her love for both men and the physical attributes they now possess. The opera examines how the transposition affects their relationships and personalities. Shridaman, with his intellectual head on Nanda's body, struggles with newfound physical desires, while Nanda, with his virile head on Shridaman's body, finds himself drawn to intellectual pursuits. Sita ultimately makes a decision that resolves the dilemma, but only after profound emotional and psychological turmoil.

Glanville-Hicks's score is characterized by its use of Indian musical elements, including ragas and tala, which are integrated with Western operatic traditions. The opera is noted for its exotic orchestration and its exploration of complex philosophical ideas. It premiered in Louisville, Kentucky, in 1954 and has been revived several times since then.