Lohengrin (Sciarrino)

Lohengrin is an opera in one act by Italian composer Salvatore Sciarrino, composed between 1982 and 1984. It is a dramma musicale based loosely on Jules Laforgue's 1887 "Moralités légendaires" novella, Lohengrin, fils de Parsifal. Sciarrino wrote the libretto himself, adapting Laforgue's ironic and psychologically nuanced retelling of the Lohengrin legend.

Unlike Wagner's Romantic opera of the same name, Sciarrino's Lohengrin focuses on the interior psychological states of its characters, particularly Elsa, rather than a grand heroic narrative. The work is characterized by Sciarrino's signature microtonal writing, extended vocal techniques, and exploration of silence and subtle sonic textures. The orchestration is typically delicate and transparent, emphasizing individual instrumental colors and timbral effects.

The opera is scored for a chamber orchestra, soprano (Elsa), and a speaking part (Lohengrin). The role of Lohengrin is deliberately non-singing, emphasizing his remote and almost spectral presence. Elsa's vocal lines are highly demanding, requiring precise intonation and control of a wide range of vocal effects, including whispers, sighs, and vocal fry.

The plot follows the essential outlines of the Lohengrin legend, but with a significant shift in perspective. Elsa, accused of fratricide, is offered a champion in the form of the knight Lohengrin, who arrives by swan boat. He agrees to defend her on the condition that she never ask his name or origin. As in the original legend, Elsa eventually breaks her promise, leading to Lohengrin's departure. However, Sciarrino's version emphasizes Elsa's internal conflict and psychological fragility, suggesting that her questioning is driven by insecurity and a need for validation rather than simple curiosity. The opera ends with Elsa alone, questioning her sanity and the reality of her experience.