Urubu (album)

Urubu is a 1976 studio album by Brazilian composer Antônio Carlos Jobim. It represents a significant departure from Jobim's earlier bossa nova style, incorporating elements of jazz fusion, impressionism, and orchestral arrangements. The album's title, Urubu, refers to the Brazilian name for the black vulture, a bird that appears on the album's cover and serves as a recurring motif within the music.

The album explores themes of nature, urban life, and the contrast between the two. It features a larger ensemble than many of Jobim's previous works, including string sections, woodwinds, and synthesizers. Tracks such as "Correnteza," "Ligia," and "Saudade do Brasil" are considered highlights of the album.

Urubu was initially met with mixed critical reception but has since been recognized as a pivotal work in Jobim's discography, showcasing his evolving musical vision and willingness to experiment with new sounds. It remains a celebrated example of Brazilian popular music and continues to influence contemporary musicians.