Chris Kraus (director)

Autofiction is a literary genre that blurs the lines between fiction and autobiography. It utilizes autobiographical details and events within a fictional framework, often employing techniques associated with both genres. The author's life is presented as the material for a fictional construct, rather than a direct representation of reality. This means that while events and characters might be based on real life, they are manipulated, fictionalized, and reinterpreted to serve the artistic goals of the narrative. The author's identity is central, but presented not as a transparent truth, but as a subject of exploration and artistic construction.

The focus is often less on strict factual accuracy and more on exploring themes of identity, memory, and the nature of self-representation. Timelines may be distorted, characters may be composites, and events may be embellished or altered. The goal is not necessarily to create a "true" account of the author's life, but to use the author's experiences as a springboard for a broader exploration of subjective experience and the very act of writing itself. This self-reflexivity is a key characteristic of the genre, often directly addressing the act of writing and its impact on the narrative.

Autofiction emerged as a significant genre in the late 20th century and has continued to evolve. Its relationship to other genres, such as metafiction and postmodern literature, is complex and often debated. Key characteristics often cited include:

• Blurring of fact and fiction: A deliberate blending of autobiographical details and invented elements.
• Self-reflexivity: The narrative often draws attention to its own construction and the act of writing.
• Exploration of identity: The author's identity and the construction of self are central themes.
• Subjectivity: The narrative is presented from a highly subjective perspective.
• Metafictional elements: The narrative may engage with the conventions of fiction itself.

The term itself is debated, with some critics arguing against its usefulness or precision, preferring alternative labels. However, it remains a widely used and understood term to describe this particular literary approach. Further research into specific authors and works is recommended for a deeper understanding of the genre's nuances and variations.