Chaco (album)

Chaco is the fourth studio album by Argentinian rock band Los Piojos, released in 1992. It is considered a landmark album in the band's discography and a significant work within Argentine rock music of the early 1990s. The album marked a turning point in Los Piojos' sound, incorporating a wider range of influences beyond their earlier ska-punk origins, including Latin American rhythms, reggae, and funk.

The album's title, "Chaco," refers to the Chaco Province in northern Argentina, a region known for its indigenous cultures and diverse ecosystems. This choice reflects the band's interest in exploring Argentine identity and social issues within their music.

Key characteristics of Chaco include its eclectic instrumentation, featuring instruments such as the harmonica, quena (Andean flute), and percussion instruments alongside the standard rock band setup. Lyrically, the album tackles themes of poverty, social injustice, political corruption, and cultural identity with a blend of social commentary and poetic imagery.

Notable tracks from Chaco include "Babilonia," "Ay Ay Ay," and "El Farolito." The album achieved significant commercial success and critical acclaim, solidifying Los Piojos' position as one of Argentina's leading rock bands. Chaco is often cited as one of the most influential albums of the 1990s Argentine rock scene.