The Twashta Kasar is a Hindu community primarily found in the Indian state of Maharashtra. They are traditionally a caste of skilled coppersmiths, brassmiths, and metalworkers, tracing their lineage and patron deity to Tvashtar (also spelled Twashta), the divine architect and craftsman in Vedic mythology.
Etymology The name "Twashta Kasar" is derived from two distinct parts:
- Twashta (or Tvashtar): This refers to Tvashtar, a prominent deity in the Rigveda, often identified as the divine fashioner, artisan, and architect of the universe. He is credited with crafting weapons, chariots, and vessels for the gods. The Twashta Kasar community reveres Tvashtar as their primordial ancestor and patron god, symbolizing their traditional occupation of skilled craftsmanship.
- Kasar: This is a Marathi term generally referring to a caste or community involved in metalwork, particularly those who make and sell brass and copper utensils.
History and Traditional Occupation The Twashta Kasar community has historically been deeply associated with the craft of working with copper and brass. Their traditional occupation involved producing a wide range of metal items, including household utensils (like pots, pans, and water vessels), religious artifacts, and decorative objects. Their expertise encompassed intricate casting, hammering, soldering, and finishing techniques, skills that were typically passed down through generations within families. They played a vital role in providing essential metal goods to local communities.
Geographical Distribution While members of the Twashta Kasar community can be found across various parts of India, their primary concentration is in Maharashtra, particularly in regions like Pune, Nashik, Aurangabad, Satara, and Mumbai. Smaller populations may also exist in neighboring states.
Social and Cultural Aspects The Twashta Kasar community adheres to Hindu customs and traditions. Like many traditional occupational groups in India, they typically maintain their own internal social structures and practice endogamy (marriage within the community). While many members have diversified into other professions such as business, education, and various services in modern times, a strong connection to their cultural heritage, traditional craftsmanship, and patron deity often remains. They form a distinct cultural group within the broader Maharashtrian society.