Leonard Sharrow (November 16, 1915 – January 26, 2004) was an American bassoonist renowned for his orchestral service, solo performances, and teaching career.
Early life and education
- Born in Chicago, Illinois.
- Began bassoon studies at age 13; later studied privately with prominent teachers, including Simon Kovar.
Orchestral career
- Joined the NBC Symphony Orchestra under Arturo Toscanini in 1937, serving as the principal bassoonist.
- In 1952, was appointed principal bassoonist of the New York Philharmonic, a position he held until his retirement in 1978.
- Performed with other major ensembles, including the Symphony of the Air and the Los Angeles Philharmonic, as a guest artist.
Solo and recording work
- Made numerous recordings for RCA Victor, Columbia, and other labels, both as a soloist and in orchestral contexts.
- Notable recordings include the bassoon part in Richard Strauss’s Sinfonia Domestica and the solo concerto by Jacques Ibert, as well as various chamber-music releases.
- Frequently performed recital programs that featured standard bassoon repertoire and contemporary works commissioned for him.
Teaching and mentorship
- Joined the faculty of the Juilliard School in 1960, teaching bassoon and chamber music until his retirement.
- Served on the faculty of the Manhattan School of Music and conducted master classes at institutions across the United States and Europe.
- His students have occupied principal bassoon chairs in major symphonies and hold university positions.
Professional affiliations and honors
- Active member of the International Double Reed Society (IDRS).
- Recognized with awards for his contributions to American orchestral music, including a citation from the New York Philharmonic upon his retirement.
Later life and death
- Continued to perform in chamber ensembles and give private lessons after retiring from full‑time orchestral work.
- Died in New York City at the age of 88.
Legacy
Leonard Sharrow is widely regarded as one of the leading American bassoonists of the 20th century. His influence persists through recordings, pedagogical materials, and the many professional bassoonists who studied under his guidance.
