Kedar is a raga in Indian classical music, recognized in both the Hindustani and Carnatic traditions, though with variations in structure and usage between the two systems. In Hindustani classical music, Kedar (also spelled Kedār) is classified as a raga belonging to the Kalyan thaat. It is typically performed during the late evening and is known for its serene and devotional character.
The raga employs both shuddha (natural) and teevra (sharp) madhyam, a characteristic feature that contributes to its melodic complexity. In arohana (ascent), the notes typically follow the pattern: S, G, M#, D, N, S', while in avarohana (descent), the movement is S', N, D, M#, G, R, S. Gandhar (G) and Rishabh (R) are often used in a meend (glissando) or as grace notes rather than in their full form, particularly in the descending scale.
Kedar is considered a jod raga (a compound raga) by some scholars, showing affinities with raga Kalyan and raga Desh, and is often used in the composition of bhajans and devotional pieces. It is also associated with seasonal ragas and is sometimes performed during the monsoon season.
In Carnatic music, a raga with a similar name—Kedaram—exists as one of the 108 melakarta ragas, though its scale and usage differ significantly from the Hindustani Kedar. This should not be confused with the Hindustani variant.
Kedar has been used by numerous classical vocalists and instrumentalists, including Tansen, whose legendary compositions are often linked to this raga in historical accounts. However, accurate historical attribution of specific compositions to Tansen is not confirmed.
The raga continues to be a staple in the repertoire of Hindustani classical performances and is also adapted in light classical forms such as thumri and ghazal.