Dede Alpert is an American theater producer known for her work on numerous Broadway and Off-Broadway productions. Through her company, Dede Alpert Productions, she has been instrumental in bringing a wide array of new musicals and plays to the stage, earning critical acclaim and commercial success.
Career and Notable Productions:
Alpert has established herself as a significant force in contemporary theater, often championing original works and successful revivals. Her productions are frequently recognized with industry accolades, including Tony Awards.
Key productions include:
- Come From Away: A highly successful musical about the events in Gander, Newfoundland, following the September 11 attacks. The production received a Tony Award for Best Direction of a Musical and was nominated for Best Musical.
- Memphis: A musical inspired by true events about a white radio DJ in the 1950s who falls in love with a black singer and brings rhythm and blues music to the mainstream. Memphis won four Tony Awards, including Best Musical.
- Million Dollar Quartet: A jukebox musical based on the legendary 1956 recording session involving Elvis Presley, Johnny Cash, Jerry Lee Lewis, and Carl Perkins.
- Natasha, Pierre & The Great Comet of 1812: An electropop opera adaptation of a section of Leo Tolstoy's War and Peace, which garnered multiple Tony Award nominations.
- The Scottsboro Boys: A musical that tells the story of the Scottsboro Boys, nine African American teenagers falsely accused of rape in Alabama in 1931.
- Chaplin: A musical based on the life of silent film icon Charlie Chaplin.
- Rodgers & Hammerstein's Cinderella: A Broadway revival of the classic musical.
Impact and Style:
Alpert's career reflects a commitment to supporting diverse storytelling and innovative theatrical experiences. She is recognized for her strategic approach to production, often identifying and nurturing projects that resonate with contemporary audiences while maintaining artistic integrity. Her contributions have significantly enriched the landscape of American theater.