Bernard Hollowood (5 June 1914 – 23 October 1998) was a British writer, journalist, satirist, and cartoonist. He is best known for his long‑term association with the weekly humor magazine Punch, where he served as editor from 1968 to 1977, and for his contributions to the Manchester Guardian and The Times. Hollowood also authored several books on cricket, music, and social commentary.
Early life and education
- Born in Nottingham, England.
- Educated at the University of Nottingham, where he earned a degree in economics.
Career
- Began his professional work as a journalist and economist, contributing articles on finance and public policy.
- In the 1940s, he started submitting cartoons and satirical pieces to Punch.
- Became a regular contributor to The Manchester Guardian (later The Guardian) and The Times, writing columns on a variety of cultural topics.
- Appointed editor of Punch in 1968, a position he held until 1977. Under his editorship, the magazine emphasized a blend of traditional humor with contemporary social critique.
- Authored a series of well‑received cricket histories, including The Cricketers of My Time (1970) and The History of Cricket (1974).
- Wrote books on music, such as The Music of My Life (1976), and on broader social subjects, exemplified by The Householder (1961).
Style and influence
Hollowood’s writing and cartoons were noted for their understated wit, observational humor, and a focus on middle‑class British life. His editorial direction helped maintain Punch's reputation as a leading venue for British satire during a period of cultural change.
Personal life
- Married twice; his second wife was the artist and illustrator Margaret Wright.
- Lived in London during his later years and was an active member of the Marylebone Cricket Club (MCC).
Death
Bernard Hollowood died on 23 October 1998 in London at the age of 84.
Legacy
Hollowood is remembered for his contributions to British journalism, humor, and sports literature, particularly his influence on Punch and his chronicling of cricket history. His works continue to be referenced in studies of 20th‑century British satire and sport writing.