The term "1110s in art" is not widely recognized as a distinct concept or movement within the field of art history. It does not correspond to a specific artistic style, school, or period that is formally acknowledged in scholarly literature.
Overview:
The phrase appears to refer generically to artistic developments during the decade spanning from 1110 to 1119 CE. During this time, Europe was in the Romanesque period, characterized by massive churches, rounded arches, and decorative arcading. In Byzantine regions, religious iconography and mosaics continued to flourish, while Islamic art emphasized geometric patterns and calligraphy. However, no major artistic events, works, or shifts are specifically and consistently documented as originating in the 1110s in a way that distinguishes this decade from the broader 12th-century context.
Etymology/Origin:
The term is derived from the Gregorian calendar and denotes a chronological range (the years 1110–1119). It follows a standard historical naming convention used in encyclopedias (e.g., "1400s in art"), but such decade-specific designations are rarely treated as standalone thematic topics unless marked by significant developments.
Characteristics:
Accurate information about art specifically from the 1110s is not confirmed. Art from this general period typically included religious themes in Christian Europe, with illuminated manuscripts, frescoes, and sculpture playing prominent roles in ecclesiastical settings. However, attributing particular stylistic or thematic characteristics solely to the 1110s is not supported by current art historical scholarship.
Related Topics:
Romanesque art, 12th-century art, medieval art, Byzantine art, Islamic art, illuminated manuscripts, cathedral architecture.